Showing posts with label Record Reviews. Show all posts
Showing posts with label Record Reviews. Show all posts

Sunday, April 7, 2024

Getz/Gilberto 2LP 45rpm 1Step by Impex... the unbelievable now.


 Once in a while, not so often... a record can take me into some kind of transcendent dimension, an experience that at the same time holds me in complete disbelief, and also in what I would call a perfect "now", a feeling of presence and immediacy that few other things in life can provide, only music does this for me.

So, it's kind of a mix of two emotions, somewhat delusional, like falling in love with a dream you know isn't real and embracing it until it becomes the true essence of reality, even if for just a few minutes. You're "out there"...




This of course is mostly a result of the musical experience... however, to achieve this state of wonder, the sound performance must strike a very special balance, one that is extremely rare. It comes down to the mastering and how it deploys the sonic emotions to your ears, or should I say... to you heart.

I found such a balance and had such an experience today, with Getz/Gilberto 1Step from Impex Records. I immediately understood I was in the presence of something very special and rare. 

The cohesiveness and harmony of instruments and performers, as well as the perfect tonal balance and fluid dynamics that trick your brain in the most natural way imaginable, will instantly silence the room, the world around you quiets down and focuses on the beautiful people, music and sounds being offered right in front of you, almost in you, like a dream. There's a sense of rightness, of wholeness, a refined assurance to the presentation that is quite magical and, to be honest, very surprising. I wasn't expecting this... 




I've rarely used such flamboyant description to review a record, and as mentioned before, this is mostly a music thing, I love Getz/Gilberto, it touches my soul, it was one of the very first albums that made me fall in love with music and, because of that, I became an audiophile. In fact, no matter what or where or how this music plays, it's always special to me. But this "bullseye" mastering cannot be dismissed, the effort Impex went through to make this the definitive edition of this incredible music has paid off, it is far beyond the usual sound quality parameters, this is a sonic experience for the ages that will always teleport your mind to that special dimension of unbelievable now.

Thank you Impex Records and Abey Fonn for this incredible release, it makes the world just a little bit more special, and that's all we can ever hope for. 😉




https://www.vinylgourmet.com/en/music/2633-stan-getz-joao-gilberto-getz-gilberto-2lp-45rpm-180g-vinyl-vr900-supreme-1step-box-impex-rti-2024-usa.html


Sunday, February 18, 2018

2017 TOP 20 Vinyl Reissues - Vinyl Gourmet Best Of 2017

Mid-February 2018... is it too late for a 2017 Best Of list compiled by www.VinylGourmet.com

Well... here it is! The Top 20 Best Reissues of 2017! It was a great year full of amazing reissues, hard to pick just 20 but these stood out for music, sound and packaging:




Two years after 1990's loud Ragged Glory, Young retreats to an old world of steel guitars, gentle folk melodies, and pristine country choruses (that's Linda Ronstadt, who helped make 1972's Harvest a hit album, singing backup on the follow-up.) Young name-drops Hank Williams, Jimi Hendrix, and his old dog, King, in rich reminiscences about the musical ride he and his fans have shared since the late '60s. The album, as Neil Young sings in "One of These Days," is "a long letter to all the good friends I've known."




Impex has always had a special place in their hearts for Shoji Yokouchi’s Greensleeves. Standards, original tunes, and traditional pieces (like the title track), are interpreted in unexpectedly funky, soulful ways. The master guitarist is given immeasurable support by organist Yuri Tashiro. Her playing is alternately moody and spry, fiery and funky. Rare Three Blind Mice Jazz Gem!




Delicate Sound Of Thunder was recorded live over five nights in August 1988 at the Nassau Coliseum in Long Island, New York, and went on to become the first album played in space when Soviet astronauts took a copy aboard the Soyuz TM-7 mission to the Mir space station that same year. Incredible live performances that shaped the musical growth of a generation.




A natural acoustic portrait of American Folk, Country, and Bluegrass standards by two virtuosos. Jerry Garcia and David Grisman's Shady Grove is filled with endearing joy and spirited playing. Garcia began recording with longtime friend David Grisman during the last decade of his life, marking a full-circle return to the roots fare he originally performed before co-founding the Grateful Dead.




Mondo are proud to present the soundtrack to Fight Club on Vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the 90's and part of that has to do with the fact that it is one of the best sequenced scores of all time.




Maestro Stokowski is at the podium and Bob Simpson is at the 3-track Ampex recorder to capture the Rhapsodies from Liszt, Enesco and Smetana. This is titanic glorious sound that will sink most speakers and amps for that matter. A must have performance. The original 3-track session tapes were used in mastering this LP from the Analogue Production reissue series.




Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.




Passion is Peter Gabriel’s soundtrack to the Martin Scorsese film The Last Temptation of Christ. Like much of Gabriel’s solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film’s resonant spiritual drama.





First widely available vinyl release after being out of print on vinyl for more than 24 years. Cut from the original stereo tapes by Sean Magee at Abbey Road Studios, this 180 gram LP is plated and pressed at QRP in the USA. With songs like Linger and Dreams, The Cranberries debut album from 1993 sold over 5 million copies in the U.S. alone and was No. 1 in several territories across the globe.




Composer Kenji Kawai was chosen to recreate the futuristic cyber-punk atmosphere that emanates from the 'Ghost In The Shell' anime, into music. Assisted by percussionist Yuhki Sugawara, Kawai reached the summit of his art by delivering captivating music, halfway between ambient electronics, traditional Japanese music and Bulgarian ritual singings. Impressive soundtrack, sounds amazing!




Ry Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but reaching epic proportions on Boomer's Story. With two ambitious albeit uneven studio albums behind him, the California native plunged into roles that still define him today – that of sonic archeologist and cultural historian.




The Sky Is Crying was released after Vaughan's deadly accident in 1990. The posthumously assembled 10-track outtakes collection actually proves to be one of Vaughan's most consistent albums. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step, some of them became instant classics.




Eunice Kathleen Waymon recorded more than 40 albums over a long, distinguished career that stretched for five decades. As Nina Simone, her distinctive mellifluous voice honed a career categorized variously as a jazz singer, soul singer and folk artist; she was all of these and much more. Little Girl Blue was Nina Simone's debut release, a beautiful record not to be missed.




Head Hunters is the Jazz Funk fusion masterpiece from Herbie Hancock, released in 1973 it became the first jazz album to go platinum and remains one of the best-selling jazz/fusion records of all time. His groundbreaking work during this period also inspired and provided samples for generations of hip-hop and electronic music artists that followed. A landmark album with the best sound ever!




The astonishing Judee Sill was the first artist signed to David Geffen's Asylum Records, and Judee Sill the first album released on the label. Sill's music is intensely spiritual, redolent of mystical and divine imagery, yet grounded by great songwriting and a pure but powerful singing talent. Her songs impart incredible intimacy that is enhanced by her sometimes complex string arrangements.




In 1983 the guitar super trio of John McLaughlin, Al Di Meola and Paco de Lucía reunited for another set of acoustic guitar trios.  Unlike their first album, the phenomenal live acoustic performance Friday Night in San Francisco, this masterpiece consists entirely of studio sessions. Some of the most perfectly beautiful and emotionally intense music ever recorded, with amazing sound quality!




Aretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music, a era chronicled on Aretha's Gold. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed all of her artistry like never before!




In 1958, a young successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz.





Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45-RPM versions of Bill Evans titles from his Riverside catalog. And now Analogue Productions has compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era. 




Painstakingly recorded by producer Gary Katz and engineers Roger Nichols and Elliot Scheiner, Donald Fagen's The Nightfly endures as a rare Audiophile trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.

Wednesday, January 4, 2017

Vinyl Gourmet 2016 TOP 15 Vinyl Reissues - Best Of 2016

Another year has passed here at www.VinylGourmet.com and it's that time of the year when we look back and pick our Top 15 Vinyl Reissues of 2016:



Deutsche Grammophon celebrates Steve Reich's 80th birthday with a deluxe, numbered limited edition of his breakthrough 1974 recording of 'Drumming', 'Music For Mallet Instruments, Voices And Organ', and 'Six Pianos'. Presented in its original 3LP box format, it includes Reich’s original notes with many session photos and first publication of nearly 50 letters he wrote about this amazing recording.




Passion is Pires's keynote. With intensity and drama she relishes Chopin's central storms, creating a vivid and spectacular contrast with all surrounding serenity. Pires makes you hang on to every note, and with her burning clarity she has reinforced our sense of Chopin's stature and created a new range of possibilities. Maria João Pires is among the most eloquent master musicians of our time.




Tarentel's debut album From Bone To Satellite released in 1999 by Temporary Residence, then a new fledgling record label. The vinyl sold out in a matter of weeks, becoming Tarentel's most valuable contribution to the post-rock canon, and quite possibly their zenith. The album title makes clear reference to Kubrick's 2001 A Space Odyssey, and the music is indeed of stellar quality!



Hot Rats cemented Frank Zappa as a musical force to be reckoned with. The album, recorded on a prototype 16-track recorder, sounds as fresh and sonically superior on this 180g audiophile analog edition as it did when first released in 1969. Blending rock and jazz stylings with top call studio musicians, the album opened the door to 'Fusion Music' while putting Zappa on the guitar player map.




Waiting to Exhale was one of the first movies to feature African-American women in leading roles. Its soundtrack took the music industry by storm, topping the Billboard Pop and R&B charts for several weeks. The soundtrack was masterfully produced and mostly written by Babyface, featuring divas Aretha Franklin, Patti LaBelle, Chaka Khan, Whitney Houston, Brandy, Toni Braxton and Mary J. Blige.




The Dave Matthews Band celebrates their 25th anniversary with this 20th Anniversary Edition of the their best-selling album, Crash, for the first time on vinyl. The album features some of their biggest hits such as 'Crash Into Me', 'Two Step', '#41', and 'So Much To Say'. Produced by Steve Lillywhite and originally released on RCA Records in 1996, Crash brought the band three Grammy nominations.




In 1973, when this album was released in Japan, Monk had all but disappeared from the scene. Concerts? Far from it! Something new from the studio? No way! The 1963 tour with appearances in Japan and the resulting album offered solidly played favorites such as 'Just A Gigolo' or 'I’m Gettin’ Sentimental Over You' that made the audience and record collectors alike sit up and listen.




Collector's Edition 7LP 45rpm Box! Complete Blues Alley Collection featuring 12 Previously Unreleased Recordings & 8 Never-Before-Heard Songs! Eva Cassidy is remembered in Nightbird which affords everyone the opportunity to experience Eva Cassidy's complete tour de force performance at the Blues Alley jazz club in Washington, D.C. on January 3, 1996 for the first time.




The middle album of Neil Young's 'Ditch Trilogy', 1974's On the Beach was actually recorded after Tonight's the Night but released almost a year prior. Meticulously mastered from the original analog master tapes and pressed on high quality vinyl, this analog reissue presents the album in unsurpassed sound and brings On the Beach back to standalone LP for the first time in decades.




Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, I Robot from 1977 remains a true audiophile showcase with extended frequency range and impressive dynamic range. Inspired by Isaac Asimov stories, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century.




1980's Once In Every Life served as quintessential romantic balladeer Johnny Hartman's second-to-last album cut at the age of 57 with a smooth and sophisticated quintet. Hartman's baritone voice sounds as rich and mellow as ever and jazz lover Clint Eastwood even used four tracks from Once in Every Life in his acclaimed 1995 film Bridges of Madison County.




Chris Jones, well-known from the Nautilus Tour 2002 as a guitar-virtuoso, arises on his new solo album also as an impressive songwriter and vocalist. The brilliant guitarist from Reno, Nevada, sadly passed away much too early in 2005. His last album with Stockfisch from 2003 has posthumously been established over the years as a de facto standard for audiophile listening tests and demo sessions.




The final album by the original Love lineup, Forever Changes regularly draws epic praise. Rolling Stone described it as 'elegant armageddon', another rave review called it 'one of the most distinctive masterpieces in that era of masterpieces'.  Produced by band frontman Arthur Lee and The Doors' engineer Bruce Botnick, presented here on 2LP 45rpm vinyl for the first time.




This live recording from the famed festival by Lake Geneva qualifies as one of the best piano trio classics of the 1970’s as well as a milestone in Monty Alexander’s catalogue. The 1976 recording captures the moment in his young career when he began to be compared to such giants as Oscar Peterson. Another perfect sounding MPS all analog mastering of this dynamic and exciting recording!




Second studio album from the Carlos Santana band and widely acclaimed as his masterpiece, presented here with corrected stereo channel orientation, newly remastered and sounding better than ever as the result of being expertly remastered from the Original Analog Master Tapes by MFSL with the new Ultradisc One-Step UD1S process!


Thursday, May 8, 2014

Review: McLaughlin Di Meola Paco de Lucia Friday Night In San Francisco 2LP 45rpm ORG

(Impressive Original Recordings Group reissue spinning at 45rpm on my Rega P9)

Paco de Lucia passed away in February 2014 aged 66, victim of a heart attack. This was a very sad moment, we never want to see our idols go so soon, and Paco de Lucia was one of the most important names in Flamenco Music that he helped bring to a much wider audience, but not just that, he was an icon of sheer creativity and virtuosity for many musical quadrants ranging from Jazz to Classical Music.

For me, when I was a young teenager his name translated to something like "incredible guitar magic", and some of my fondest memories from listening to music on my father's audio system are from listening to Friday Night in San Francisco and feeling like I was right there in the audience with the performance happening live in front of me.



At the time my father had a quite impressive complete Quad 66 separates system with a pair of Quad ESL-63 electrostatic speakers fitted with huge Gradient SW-63 subwoofers and specific cross-over unit, setup in a large windowed room with an amazing view over the Tagus River in Lisbon. What could be more romantic? Quad electrostatics, Lisbon and the Tagus? All music sounded amazing on that system and with that view, but some records made such an impression that they became deeply implanted in my mind and if I close my eyes for a moment I can still relive those moments and regain that sense of "being there" with that particular sound and view, and all those emotions.

This is one of my all time favorite records, and yes I admit I've spent most of my young life listening to this incredible performance on CD. Lucky for me, there is no bad sounding version of this recording on any format, it always sounds at least very good. But there was, of course, room for improvement, and this recording considered by many to be the absolute best acoustic guitar live performance ever recorded, certainly deserves the ultimate audiophile treatment.



Paco de Lucia was there in San Francisco with legendary guitar players John McLaughlin and Al Di Meola, each of them bringing different influences up on the stage but for me this was always Lucia's night because it sounds to me like his vision infused the musical performance of the group with his particular Flamenco style in a way that makes it his own... and what a night it was! This is pure life and energy, attack and retreat, call and response, audience screams, large scale and micro detail, inventiveness and creativity together with the most unbelievable technical virtuosity, this recording is magic, pure sound illusionism for the soul.



It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938 ... it may be considered the most influential of all live acoustic guitar albums". All the tracks except Guardian Angel were recorded live at The Warfield Theatre on 5 December 1980, in San Francisco; Guardian Angel was recorded at Minot Sound, in White Plains, New York.

I never felt like I needed anything better than my original release CD/LP, but when this ORG reissue mastered by Bernie Grundman was announced I was extremely curious to compare it to the original releases, and the latest SACD remaster. Boy, I was in for a big surprise...




Tonality is very similar to the original mastering of the early 80's, but with massive increase of detail, resolution and transient response. I mean... the enhancement of the presence and energy of the performance is just stunning! The SACD on the other hand is much brighter, the strings actually sound different... It's still good but doesn't quite sound like the same recording. What I think is that they probably tried to pull out more mid-range detail to make it sound more open and show the guitar strings with more tonality, wich is certainly a good intention, however it seems like they really had to mess around with the EQ too much to get close to that ideal, mostly by bumping the upper mids and higher frequencies, and then probably trying to limit the top edge of that bump... so the end result is at least a little strange so I actually preferred the original CD and LP mastering that sound more natural.

The guitars flap and sting and scream running percussive driving rhythm with raw power at the edge of the recording capabilities, even the lightest engineering touch can break down the thin layered harmony between them. I'm more than happy with the recording quality, it's been leaving listeners in awe since it was first released and it still does every single time. I find that ORG's approach works wonderfully to enhance it by allowing the ferocity, incredible interplay and true nature of the performance to come through with the highest fidelity that was ever available to the public, providing breathless transient response and stunning stereo imaging to bring this historic live performance right into our homes in all its holographic glory. Basically, ORG focuses on what really matters to improve on the original!



Listening to this 45rpm double vinyl LP reissue brings back those late summer nights of the 80's with the Quad ESL-63's and the Tagus river. Nothing can replace those special moments and the feelings that listening to music like that imprinted in me and made what I am today... but let me tell you, this reissue raises the bar much higher, put it on the turntable, close the lights, crank the volume up to enjoy the full dynamics and transients, and prepare to be blown away all over again!

The night starts with a near 12 minutes medley of "Mediterranean Sundance" and "Rio Ancho" composed by Di Meola and Paco de Lucia, this was to become the most famous and recognizable part of the album, a loose and spontaneous delightful performance. This is followed by Chick Corea's well humored "Short Tales of the Black Forest" and Egberto Gismonti's "Frevo Rasgado" (a personal favorite of mine), closing with "Fantasia Suite" (Di Meola) and the final "Guardian Angel" (McLaughlin) haunting melody.



There was no better way to show our respect and pay tribute to Paco de Lucia than to reissue this recording, this night, on such high quality audiophile vinyl. I'm sure that one day, my daughter will be amazed with it, just like I was... this reissue brings back the magic and adds much more to it.


 Vinyl Gourmet Rating: Music (0-10): 10   Sound (0-10): 10   Product Value (0-10):9

Al di Meola / Paco de Lucia / John McLaughlin
Friday Night In San Francisco (1981)
2012 ORG USA Numbered Limited Edition (2500 Units Worldwide)
Catalog Number: ORG 125
Matrix Side A: ORG 125-A45   88697978081 A   Bernie Grundman   20155.1(3)
Matrix Side B: ORG 125-B45   88697978081 B   Bernie Grundman   20155.2(3)
Barcode:
858492002251

www.VinylGourmet.com your Music... served right! (Audiophile Vinyl Records)

Review by Sérgio Redondo
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Friday, February 21, 2014

Review: Charles Mingus - Mingus Ah Um - ORG Original Recordings Group 2LP 45rpm

(Original Recordings Group reissue spinning at 45rpm on my Rega P9)

Probably the highest point of the Charles Mingus Jazz Workshop achievements during the 50's, Mingus Ah Um was the first Charles Mingus album for Columbia Records, recorded in New York at Columbia 30th Street Studio in May 1959 and released later that year. Certainly one of the best if not the best Charles Mingus album, this is a wonderfully engineered recording with incredibly powerful and detailed micro and macro dynamics, large holographic sound stage and explosive transients, that perfectly conveys a true musical masterpiece and unsurpassed performance by a group of amazing musicians.


(Original cover art by S. Neil Fujita)

This reissue does it justice allowing all of these qualities to come through effortlessly out of the deep dark and silent background, just like the vinyl surface, with incredible and realistic presence served with faithful and natural tonality. You'll suddenly find your room filled with the ghosts of Mingus, Parlan, Ervin and his pairs, as well as the masters he evokes in some of the tracks of this album (Lester Young, Duke Ellington, Jelly Roll Morton), echoing their timeless music in your soul... "Better git it in" there!

This double LP cut at 45rpm comes housed in a lovely thick  and solid gatefold cover with faithful artwork reproduction that is a pleasure to feel and look at, and it's a limited numbered edition pressed at RTI in the USA expertly mastered from the Original Master Tapes by Bernie Grundman whose vast experience and tasteful engineering options guarantee we listen to the best possible sound.


(Charles Mingus, New York 1959 - Columbia 30th Street Studios - Photo by Don Hunstein)

For this review I've extensively compared this new reissue to Bernie Grundman's 1995 cut for the now defunct Classic Records label on 33rpm 200gr vinyl to find out that the new mastering sounds marginally brighter (probably more like the Original Master Tape actually sounds), but the added transient response, tighter and more focused bass and increased dynamic range, all contribute to a much better experience and overall higher fidelity sound presentation. One thing that is really improved on this latest ORG 45rpm reissue is that you can really hear and feel Mingus playing with so much more resolution and focus because the bass now sounds like there are bass strings being played, it's not all over the room with "boomy" effect and diffuse sound. This is mostly the result of the 45rpm cut added clarity and faster transients, and also because Bernie Grundman studio completely renewed and improved its analog mastering chain gear between these two releases, resulting in much increased transparency.

A true audiophile delight, this is the type of vinyl release to answer all questions, that makes it all worth while. For the music, for the performance, and for this absolutely perfect reissue, Mingus Ah Um is a must have album in any collection and a definitive Vinyl Gourmet Audiophile TOP 100 record.


(the music and sound combine for a truly memorable audiophile experience)


Vinyl Gourmet Rating: Music (0-10): 9   Sound (0-10): 9   Product Value (0-10): 10


Charles Mingus "Mingus Ah Um" (originally released in 1959)
ORG Original Recordings Group (2012 reissue)
Made in USA 45rpm 180gr Vinyl RTI pressing
Numbered Limited Edition - Bernie Grundman Mastering
Catalog Number: ORG 130 (CS 8171)
Matrix Side A: ORG 130-A45   Bernie Grundman   20400.1(3)
Matrix Side B: ORG 130-B45   Bernie Grundman   20400.2(3)


Review by Sérgio Redondo
You've read it on Blog.VinylGourmet.com ... like our page at Facebook.VinylGourmet.com!